Language is a theme in the whole book, no? I mean it ends with the title poem about words are all we have. I guess midrash makes sense. How does it change in the course of the sequence? Well, God is into No and into Stasis/Nouns. Adam and Eve, in order to be in this world (and get this world going) must choose verbs. Which is to gain sex but also to choose death and all else that goes with change. To choose becoming over being.
Gregory OrrI want language to help us live in a world of wonder/terror/change. I want it to be about "becoming" rather than "being." I think that being and nouns are part of our hopeless dream that time will stop and we will not die. but it's not that way. So, why not celebrate verbs and the beloved's metamorphosis into other people or creatures or places - the same spirit but moving through things, not static.
Gregory OrrI believe in poetry as a way of surviving the emotional chaos, spiritual confusions and traumatic events that come with being alive.
Gregory OrrSpeaking of people I had to exclude: Hank Williams. which is to say, songs are part of lyric poetry in my book, my thinking. In fact they are the urgent element of poetry in our time, they carry the most emotion for the most people in our culture. everyone LOVES poetry, because we all love (one form or another) of rock and roll (be it folk to emo to rap). It's all rock and roll and all lyric poetry.
Gregory OrrRhyme as an echo not a closing off of sound. Love it. I don't know where the rhymes came from. Or the puns like "no/know" and so on. Just a way my mind start moving toward what seemed urgent to it. I'd like to claim complete rational intent for it all, but it wasn't that way. if you asked me about rhyme thirty years ago, I'd have said: not me, never. And now I done it.
Gregory Orr