I believe in poetry as a way of surviving the emotional chaos, spiritual confusions and traumatic events that come with being alive.

"Similar but not the same" - that's like the return of the beloved for me. And metamorphosis: the spirit of the beloved moving through things, not lingering long in any one thing or place, no matter how we might wish it.

I can't actually explain why my lines got shorter, but they did. Just as I can't explain why my early poems were 'all image' and my current ones are relatively abstract. The sense of the line changed with the theme, somehow my ear (or brain or heart/mind) fell in love with a short line and very very simple words.

When it's right you can't say Who is kissing whom.

To me, poetry is about survival first of all. Survival of the individual self, survival of the emotional life.

No one can threaten poetry. It's always been there, always will be. Humans need it to live: it has sustaining powers. How could we (anyone) get through adolescence without some form of song? Song is only a version of lyric poetry that is carried more by melody than by internal coherence and unity. but lyric and song - they are the same.

I am committed now to one thing: lyric sequences. I want the intensity of lyric, but the scope and arc of narrative. so, I think I'll just write sequences for the foreseeable (the Beloved sequence doesn't have a 'plot' so I can just keep adding poems to it, it's like a giant bag I can just put beloved lyrics into - I think there are about 300 of them i've published by now).