D.H. Lawrence says that myths are "inexhaustible" because they are symbols of heart mysteries. That is, they can't be exhausted - they somehow have embodied some central human mystery (love, loss, being a body in time, who knows which or what?) and thus can be retold infinitely and still be rich. That's part of your saying: it's old, but it's also new. Or: there's nothing "new" in the human heart, but it still matters lots.
Gregory Orr"Similar but not the same" - that's like the return of the beloved for me. And metamorphosis: the spirit of the beloved moving through things, not lingering long in any one thing or place, no matter how we might wish it.
Gregory OrrWhenever I read a poem that moves me, I know I'm not alone in the world. I feel a connection to the person who wrote it, knowing that he or she has gone through something similar to what I've experienced, or felt something like what I have felt. And their poem gives me hope and courage, because I know that they survived, that their life force was strong enough to turn experience into words and shape it into meaning and then bring it toward me to share.
Gregory OrrRhyme as an echo not a closing off of sound. Love it. I don't know where the rhymes came from. Or the puns like "no/know" and so on. Just a way my mind start moving toward what seemed urgent to it. I'd like to claim complete rational intent for it all, but it wasn't that way. if you asked me about rhyme thirty years ago, I'd have said: not me, never. And now I done it.
Gregory OrrIn Eden I "saw" that Adam or Eve probably spoke each word FOR THE FIRST TIME and that seemed wild and seemed to me that that might have brought them to some essence of language. Once I "saw" the city, I knew it was real. once I saw that a poem was a house, i knew it was real and could go back to it or else write a flurry of poems around it, both worked.
Gregory Orr