It is a sure sign that a culture has reached a dead end when it is no longer intrigued by its myths.

Patriotism in America, as I understand it, is a matter of suffering, when the country fails to live up to its promises, or actively betrays them.

I learned that when something just has to be said to move the discussion along, or broaden it or deepen it, if I can just keep my mouth shut for five minutes a student will say it. So for me a lot of teaching is about keeping my mouth shut.

If 'Mystery Train' is my Nixon book and 'Lipstick Traces' my Reagan book, 'Invisible Republic' is my Bill Clinton book. I really liked Clinton. He made me proud to be part of this country again. For all of his failings, the way he put all that he'd done in jeopardy, I supported him from beginning to end.

We make the oldest stories new when we succeed, and we are trapped by the old stories when we fail

I was the first records editor at Rolling Stone, and there were no rules. There was nothing to fall back on as to how do you write about this kind of music, so people were trying absolutely everything with a great sense of freedom and experimentation and success and failure, and a feeling of, “My God, people are actually paying attention to this. Let’s pretend they aren’t because we don’t want to be intimidated by what somebody might think of what we’re saying.

Hearing things like 'Wake Up' by Lora Logic, or the Raincoats' 'In Love' - that was something I wasn't prepared for. I couldn't hear anything that came before it in the music, and I didn't want to. I was absolutely in love with its out-of-nowhereness.