The process with the play, obviously, it belongs to you by the time you're stepping on stage in front of that audience for the first time. You can change it by just a look or things you're not even conscious of, but it's such a full immersion.

I focused on where she was from of course, her voice and her history, her relationship with God - her religion. This was probably the strongest relationship she has had, really. She never seemed to maintain close relationships with husbands.

In a way I'd say it's maybe more satisfying to do a play, because there is a beginning, middle, and end. But I also really enjoy the television experience, because there's a certain part of it that you have to let go of and trust in that process.

It's not like I have a master plan or anything.

People were always able to look at Bettie Page and see what they needed her to be and she gave them that permission to do so. So in that way she's a feminist but I don't think she was ever trying to be.

It's fun to play a character when you can't concern yourself with how sympathetic they are.

I think that's the best way to see things, especially this kind of play where there's no pyrotechnics, it's literally just people talking.