You can kind of ask around for details. You might get a little information here and there, even from the other actors, or "One person heard that..." I feel like the writers are always leaving their options open.

In a way I'd say it's maybe more satisfying to do a play, because there is a beginning, middle, and end. But I also really enjoy the television experience, because there's a certain part of it that you have to let go of and trust in that process.

I focused on where she was from of course, her voice and her history, her relationship with God - her religion. This was probably the strongest relationship she has had, really. She never seemed to maintain close relationships with husbands.

I think it's sort of disrespectful to the partner you're having sex with to talk about it.

You can kind of ask around for details. You might get a little information here and there, even from the other actors, or "One person heard that..." I feel like the writers are always leaving their options open.

With the television thing you have this lull of time where you're not with the character. And when you get those first pages, you're like, "Who is she again? Huh? Where did we leave off?" Then you show up at the read-through and all of the sudden the voice is there, and you realize that the character is still stewing in you all that time, even in the downtime.

I'm pretty low-maintenance, but I like my time to myself, and once you have a child, you have to fight for it. I remember the first long bath I took [after Ptolemy's birth] was such a moment. Because a lot of the time you're in the shower, and if that baby cries, you've got to turn off the water and go!