I produced six movies with Amy Robinson since the very early 80s.

New York means so much to people. If you're inclined to leave the nest, New York is where most people think they have to go, and it's been that way since the first skyscraper.

On every movie I’ve done as a director, I look at the producers and having done it, I don’t envy them, at all.

It struck me that working digitally with a small crew, I could lay out a general plan for Famous and hope for mistakes which would create something more than satire and something less than truthful reality.

But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.

I love working with actors. I love to see what they're going to do. There's just something very thrilling and satisfying with being involved with something, all the way through the process [making movie].

To see a comedy in an environment where you're surrounded by other people that are laughing is great. That's probably more satisfying than just watching it by yourself.