I produced six movies with Amy Robinson since the very early 80s.

I'm in five guilds; that's a lot of dues to pay. So I have to keep on working.

But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.

If movies are set in New York, they really should be shot in New York.

And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.

My hunger and desperation, being an actor, an out of work actor - my memory of that is as fresh as an open wound.

Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact.