Lately I've been really into screaming a lot through delay [effects], having seven people on stage topless going crazy, stuff like that. Really in your face, but maybe more organic than choreographed dance moves.

Especially with music, people want confidence.

If you focus too much on development of the visual angle, it could be a detriment to what you're doing musically.

I love a lot of very sentimental music, but I shouldn't necessarily be the person who makes it.

Sometimes you find people who are magnetic, but once they get in front of a camera, they freak out and get weird.

It's kind of like I'm Phil Spector and I'm forcing a young girl to make pop music and perform exhaustively. Except, instead of it being someone else, that girl is also me.

I write music better in the winter, I prefer making music when it's dark.