Miami is just really fun whenever I go there. It's like this post-apocalyptic Barbie world: everything is pink, and there're palm trees everywhere. But then there are also all these people in crazy sunglasses, warehouses with sick parties where all the girls are covered in spikes and black leather. It's a very weird place.

It's important for people not to feel like doing things that are immature, stuff you have to try out when you're a teenager, is bad, per se. Demonizing it is one of the reasons it becomes such an issue.

I love a lot of very sentimental music, but I shouldn't necessarily be the person who makes it.

My great fear is that I'm the ultimate shallow person. I think about this kind of thing a lot, and about this phenomenon in our culture where people identify themselves with their interests. I've been trying not to think about it too much. It used to really upset me when people called me "witch house."

Success, for me, is a song that can deliver shivers.

Whenever I'm making music I'm always waiting for the shivers to happen - that's an important thing for me.

I'm sad that it's uncool or offensive to talk about environmental or human rights issues.