If you focus too much on development of the visual angle, it could be a detriment to what you're doing musically.

I cry really easily. If I see a butterfly, I'll practically burst into tears. So it's really hard for me to yell at people, because I'll feel so guilty about it. But if I don't, then they don't take me seriously and it's this endless cycle.

The groove can go for like three days - once I'm in it it will just keep going until I'm totally exhausted. But that's how I like to work, I like to be away from everyone and just get in the zone, and stay there for as long as I can keep it there.

I feel like vocals are to music what portraits are to painting. They're the humanity. Landscapes are good and fine, but at the end of the day everyone loves the Mona Lisa.

Usually when I make music, in my head I'm like 'this isn't Grimes, this is just some other project that you can release later, so there's no pressure and it doesn't matter and no-one's ever gonna hear it'.

I don't have any money to hire actors. I just need to get people who are going to do a good job being themselves.

My great fear is that I'm the ultimate shallow person. I think about this kind of thing a lot, and about this phenomenon in our culture where people identify themselves with their interests. I've been trying not to think about it too much. It used to really upset me when people called me "witch house."