If you focus too much on development of the visual angle, it could be a detriment to what you're doing musically.

I think my music's kind of cold, but I don't know if it's related to the weather. It might be because it's always grey [in Montreal], it's very depressing.

Whenever I'm making music I'm always waiting for the shivers to happen - that's an important thing for me.

I love pop music, but I also love noise music, IDM - anything really, I get something out of most kinds of music. I just need to enjoy the process.

Lately I've been really into screaming a lot through delay [effects], having seven people on stage topless going crazy, stuff like that. Really in your face, but maybe more organic than choreographed dance moves.

If you tell someone you're doing something innovative, they'll think you're doing something innovative.

If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there's always a narrative that is very nonlinear - and that's the essence of a good music video.