One thing with Montreal is it's so cold and everyone's so poor and beer's so cheap: if you go to a show you have to brave the weather to get there. So you show up and everyone's soaking wet - there's a sense of 'I trekked through three feet of snow to get here!' I think there's a kind of camaraderie that arises out of that, that's important to me as well.

Obviously, I like things that are cute and aggressive at the same time, but I didn't want it to just be mini-bangs and lip-syncing in a dress. I need to get away from that stuff.

I don't even wear shoes with heels because I hate making a noise when I walk and people looking at me.

I love pop music, but I also love noise music, IDM - anything really, I get something out of most kinds of music. I just need to enjoy the process.

I know texture is really important, but I think texture and stuff precedes songwriting a lot of the time these days.

When an artist, or whomever, moves from their scene to the bigger pond, it starts getting crazy, because all of a sudden people don't respect you, and you have to start being a lot more aggressive than you would normally be.

I cry really easily. If I see a butterfly, I'll practically burst into tears. So it's really hard for me to yell at people, because I'll feel so guilty about it. But if I don't, then they don't take me seriously and it's this endless cycle.