One thing with Montreal is it's so cold and everyone's so poor and beer's so cheap: if you go to a show you have to brave the weather to get there. So you show up and everyone's soaking wet - there's a sense of 'I trekked through three feet of snow to get here!' I think there's a kind of camaraderie that arises out of that, that's important to me as well.

If I think about what other people are thinking when I'm making music, I just can't do it. It's too withheld - I need to go totally over the top, and then kind of clean it up a bit and make it more reasonable after the fact.

Sometimes you find people who are magnetic, but once they get in front of a camera, they freak out and get weird.

If I went on 'American Idol,' I would definitely be kicked out immediately.

It's important for people not to feel like doing things that are immature, stuff you have to try out when you're a teenager, is bad, per se. Demonizing it is one of the reasons it becomes such an issue.

I have an intense desire to constantly make music, and I don't feel that way about anything else.

I don't want to have to compromise my morals in order to make a living.