When an artist, or whomever, moves from their scene to the bigger pond, it starts getting crazy, because all of a sudden people don't respect you, and you have to start being a lot more aggressive than you would normally be.

Success, for me, is a song that can deliver shivers.

If I'll be sexualized, it wouldn't be because I was wearing sexy clothes, because I look like a baby. But music is an inherently sexual thing. If something sexual is going to be expressed, it's going to be in my music.

Just because something might not have a deep philosophical meaning doesn't mean it's not important or relevant.

I know texture is really important, but I think texture and stuff precedes songwriting a lot of the time these days.

I think you can hear, when you listen to someone's music, whether or not they're enjoying making it - it's so great to hear music where you can tell the person making it was just having a blast. That's really important to me as far as my process goes. That's probably why my music ends up being so poppy!

The groove can go for like three days - once I'm in it it will just keep going until I'm totally exhausted. But that's how I like to work, I like to be away from everyone and just get in the zone, and stay there for as long as I can keep it there.