When you look back at your career, there are moments that are levels that you hit and you bounce off them.

All hair is away from the face - there's no emotion and all of the personality is taken away. I envisioned the way a 'virtual girl' is drawn in a cartoon. Then I added these different colored extensions - white, red and black, which adds to the synthetic feeling of the hair. I used colors which looked most dramatic against each of the models' real hair. The different colors give you that pop of fakeness so we're not talking about reality. Like a futuristic princess.

I like hair that's been 'worn in' because it's much easier to deal with.... I actually don't like it when [models] come in with this beautiful, thick, glossy hair. I think, Oh, no! I can't do a thing with this!

People comment, and that's where we are now. It's the way the world is.

I worked at a bunch of other salons, and at one, this girl was going out to do a photo shoot for a women's magazine and brought me along to assist her. I remember going on that shoot and thinking, "God, this is great. It's creative, and you get to work with all of these other creative people." At that point I decided that hair would be my in to fashion and all the things I thought I would enjoy - and did enjoy.

I try to be aware of technology and Japanese animation and old Belgian paintings, and get all my references from bits of everywhere.

As the older ones, to understand that it is a different time, and young people look at fashion in a different way . . . It's just different. If we harp on about it, they'll feel like we're just old fuddy-duddies, so I just kind of get on with it. I still feel I've got things to say.