There are two types of producing deals, and I've had both. I've produced over 20 movies now. You are either watching in horror, as the cars take the curve in the grand prix, or you're enjoying it.

I see horror as part of legitimate film. I don't see it as an independent genre that has nothing to do with cinema.

People tend to think that big things only happen to big people ... I think that is not true. The small decisions we make every day define who we are and define the world around us. ... But I bet to you there is a decision every day in your life where you affect somebody else.

There are two types of producing deals, and I've had both. I've produced over 20 movies now. You are either watching in horror, as the cars take the curve in the grand prix, or you're enjoying it.

When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I've always enjoyed just creating monsters.

When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight - it's faster in a way.

I have "fat-guy syndrome." If they give me $50 million to make a movie, I'll try to make it look like it cost a hundred. If they give me $60 million, I'll try to make it look like it cost $120.