I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.

What happens to me is that I am first and foremost a film geek.

If you're doing a big spectacle film, you've got to be mindful of large masses. Even then, you've got to be responsible only to your storytelling.

I think there are movies that are so gigantic that you need a second unit

I think Hollywood has a habit of developing 100 times more than they actually shoot.

I believe, as a producer/director, your duty is to create a beautiful horror film that really resonates.

Well I think effects are tools