I think that during the shoot, you should never be there, unless something goes really wrong and as producer, you're responsible. The sign you did your job right is if you are not there.

Oliver Stone will never be happy with the first take. He wants more than that. When you’re delivering your lines, he’ll stop you and tell you some kind of riddle about the character and you have to go away and figure that out. If you’re hoping for him to give you all the answers, then you’re in for a long day.

I think there are movies that are so gigantic that you need a second unit

People tend to think that big things only happen to big people ... I think that is not true. The small decisions we make every day define who we are and define the world around us. ... But I bet to you there is a decision every day in your life where you affect somebody else.

I see horror as part of legitimate film. I don't see it as an independent genre that has nothing to do with cinema.

There are men who bloom in chaos. You call them heroes or villains, depending on which side wins the war, but until the battle call they are but normal men who long for action, who lust for the opportunity to throw off the routine of their normal lives like a cocoon and come into their own. They sense a destiny larger than themselves, but only when structures collapse around them do these men become warriors.

For any actor to have Oliver Stone call him or her up… It’s a compliment. He expects you to be on your toes. If you’re not, he pokes at you until you react. He’s very provocative, creatively. It started like a lot of hard work, but it ended up a lot of fun.