When I see a short schedule, my question to the director is, are you really comfortable with this, or are you doing it to be a good boy? At the end, you only win the medal if the film is good, you don't win a medal if the movie is on time.

I was an altar boy, a spokesperson for the Virgin Mary, I was a choir boy but then at the age of 14 I discovered masturbation and all that went out the window.

I only produce directors and movies that I have a lot in common with.

Movies that look safe are less interesting.

Without context, things are not scary. Without context, like humor, horror doesn't work.

I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.

I think part of making movies is dealing with restrictions of freedom and budget. I'd rather deal with restrictions of budget. It's better to feel free within any budget.