When I was a teenager there was no video in my country. Betamax came to Mexico very slowly.

I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.

I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.

With every movie I produce, I learn something. I watch the directors. It's like the relationship you have with your children. I'm there to learn from my daughters. They are the perfect spirits.

I always thought what if you took a myth of childhood like the tooth fairy and made it a central scary thing. We did it on Hellboy and we did it on 'Don't be afraid of the dark'.

Producing is great because you learn.

Even if one understands that what one is doing is mad, it is indeed still madness -