I absolutely am a big Call of Duty fan. Every time a new Call of Duty comes out – I never play the games online, but I play the solo version super fast. My family knows not to interrupt me the day they come out, they know it's a sacred date for me. I think my favorite visually, of all of the Call of Duty games -- even if it's not as sassy and high tech -- is World at War because. That game has some really incredible episodes in Berlin and the Japanese fields. It's really quite arresting for me, visually, and it was very immersive. But I love Modern Warfare, too.

Oliver Stone will never be happy with the first take. He wants more than that. When you’re delivering your lines, he’ll stop you and tell you some kind of riddle about the character and you have to go away and figure that out. If you’re hoping for him to give you all the answers, then you’re in for a long day.

When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight - it's faster in a way.

If at age 10 I say there are monsters in the basement and they don't believe it, I would have stayed in that house. My father would have said "Shut up and get to your room." So I thought the only sanctioned tyranny in the world is parenthood and everybody goes "Yeah." It's a dictatorship - parenthood.

Producing is great because you learn.

I am the nice adversary, the guy that's going to ask the tough questions and is not going to be happy with the quick answer.

The idea for me is that if the movie connects with you the way I want it to connect with you, you should be experiencing both the horror and the wonder as a child would. From a child's point of view. When we're kids, brutality registers differently than when we are adults. Because as adults, we get too used to violence.