I think that The Eye is a particularly Americanized take on horror

I absolutely am a big Call of Duty fan. Every time a new Call of Duty comes out – I never play the games online, but I play the solo version super fast. My family knows not to interrupt me the day they come out, they know it's a sacred date for me. I think my favorite visually, of all of the Call of Duty games -- even if it's not as sassy and high tech -- is World at War because. That game has some really incredible episodes in Berlin and the Japanese fields. It's really quite arresting for me, visually, and it was very immersive. But I love Modern Warfare, too.

Any legend, any creature, any symbol we ever stumble on, already exists in a vast cosmic reservoir where archetypes wait. Shapes looming outside our Platonic cave. We naturally believe ourselves clever and wise, so advanced, and those who came before us so naïve and simple...when all we truly do is echo the order of the universe, as it guides us.

When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight - it's faster in a way.

I believe, as a producer/director, your duty is to create a beautiful horror film that really resonates.

Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.

When I was a teenager there was no video in my country. Betamax came to Mexico very slowly.