In the medieval tradition, Beksinski seems to believe art to be a forewarning about the fragility of the flesh– whatever pleasures we know are doomed to perish– thus, his paintings manage to evoke at once the process of decay and the ongoing struggle for life. They hold within them a secret poetry, stained with blood and rust.

There's something worse than not making a movie. It's doing it for the wrong reasons. Then you end up putting three, four, five years of your life into it and you come out with a thing that you're not proud of.

I think when you get all the money and all the freedom, rarely do you get a good movie out of it or a movie that you're proud of.

As a child that was disenfranchised from everything, and that was in a world that was the wrong size, run by the wrong people, the wrong morale and the wrong rules, I felt completely outside of that, and I wanted some measure of control, and the measure of control I found was through fear.

Survival often feels like an indignity.

If we have a choice in how we die, I would say that's a privilege. I think we have a sort of prudish approach to death in the West, though certainly not in Mexico. In Mexico, it's a little bit freer. We're not so precious about it.

When you see something or experience something extraordinary, you can't go back to normal... I think that that's the way I see the supernatural-as happening in mundane circumstances or to people who are unprepared.