There was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financers feel that the woman has the skills to make the film.

It doesn't matter how complex your plot or your characters are; you have to be able to express the big idea of a film in a sentence or two.

I'm a good Indian girl, I still don't do sex scenes in my movies because my mum would kill me!

When you have a baby you start thinking of death cuz' you see the opposite of life. I've calmed down now but for the first or two years, I kept thinking: "Oh my God, if I die what's going to happen to the child?" And you realise how vulnerable they are, but how critical your own life is because they're so dependent on you. You do feel your own mortality. I kept saying to myself: "OK, when they're 18, I'll be 'x'; so if they get married at 30, I'll be'x'will I get to see grandchildren?" So, since they've been born I've been thinking about death the whole time.

There was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financers feel that the woman has the skills to make the film.

Well, I think there was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financiers feel that the woman has the skills to make the film.

The reason I do what I do is that I find that Asian community gives me an endless source of humour. When I entered the filmmaking business, my whole purpose was to promote and make us visible because we were very much on the margins. So, I wanted to make us mainstream. My work has helped to mainstream-ise the Asian community.