When you're on a film and you're doubting something, it's usually because you don't think the audience is going to like it.

When I grew up in the '60s, we were actually dominated by this, you know, sort of conforming '50s culture, even though we were like trying to express our own culture, like, the dominant culture was the thing that was forming us. And I think that that's true today.

One of the things that is devastating is I realise I haven't been living a different life than when I was, like, 12. I'm shocked at how reclusive I've been since then. I was unaware of it until recently.

There are all kinds of ways that people present their films, but that's kind of a good feeling, if you can make it seem like the characters are really there.

And Later I Thought, I Can't Think How Anyone Can Become a Director Without Learning the Craft of Cinematography.

Sometimes, the people who are helping you can drop the ball.

Well, I want to do everything in sort of a documentary style, ever since I started in the '80s.