There is an attraction and a charm inherent in the colossal that is not subject to ordinary theories of art ... The tower will be the tallest edifice ever raised by man. Will it therefore be imposing in its own way?

Being the most striking manifestation of the art of metal structures by which our engineers have shown in Europe, it [the Eiffel Tower] is one of the most striking of our modern national genius.

The French flag is the only one to have a staff a thousand feet tall.

The fundamental idea of these pylons, or great archways, is based on a method of construction peculiar to me, of which the principle consists in giving to the edges of the pyramid a curve of such a nature that this pyramid shall be capable of resisting the force of the wind without necessitating the junction of the edges by diagonals as is usually done.

Can one think that because we are engineers, beauty does not preoccupy us or that we do not try to build beautiful, as well as solid and long lasting structures? Aren't the genuine functions of strength always in keeping with unwritten conditions of harmony? ... Besides, there is an attraction, a special charm in the colossal to which ordinary theories of art do not apply.

There is an attraction and a charm inherent in the colossal that is not subject to ordinary theories of art ... The tower will be the tallest edifice ever raised by man. Will it therefore be imposing in its own way?

The first principle of architectural beauty is that the essential lines of a construction be determined by a perfect appropriateness to its use.