For me to rehearse with a children's orchestra a Mahler symphony was to really work. We had three or four weeks of rehearsal with the orchestra, every day eight or nine hours, putting the First together. I had been conducting Tchaikovsky a lot and Beethoven, but Mahler was different.

I think it's a very important collaboration between the conductor and the orchestra - especially when the conductor is one more member of the orchestra in the way that you are leading, but also respecting, feeling and building the same way for all the players to understand the music.

Los Angeles is a very special city. It's a great ethnic mix, a great cultural mix.

I studied music since I was four years old, and from that moment I became part of a family. And that family has taught me things; not only musical things, but things I have to face in life, and that is where the success of the system lies

Recently, I went to a disco with friends, and all the young people were saying, 'Dudamel, we want to go to your concert, but it's impossible because it's sold out.' It's really amazing.

It's a physical challenge. It's a spiritual challenge. I'm studying almost every day a different symphony, not returning to any one for a week.

It's not that people don't like classical music. It's that they don't have the chance to understand and to experience it.