The public is composed of numerous groups whose cry to us writers is: 'Comfort me.' 'Amuse me.' 'Touch my sympathies.' 'Make me sad.' 'Make me dream.' 'Make me laugh.' 'Make me shiver.' 'Make me weep.' 'Make me think.'

War! When I but think of this word, I feel bewildered, as though they were speaking to me of sorcery, of the Inquisition, of a distant, finished, abominable, monstrous, unnatural thing. When they speak to us of cannibals, we smile proudly, as we proclaim our superiority to these savages. Who are the real savages? Those who struggle in order to eat those whom they vanquish, or those who struggle merely to kill?

Whatever one wishes to say, there is one noun only by which to express it, one verb only to give it life, one adjective only which will describe it. One must search until one has discovered them, this noun, this verb, this adjective, and never rest content with approximations, never resort to trickery, however happy, or to vulgarism, in order to dodge the difficulty.

Those men, those of former times, had soul and eyes that in no way resemble ours, and in their veins, along with their blood, flowed something that has disappeared: love and admiration for the Beautiful.

The English have only three sauces - a white one, a brown one and a yellow one, and none of them have any flavor whatever.

History, that excitable and unreliable old lady.

The public is composed of numerous groups whose cry to us writers is: 'Comfort me.' 'Amuse me.' 'Touch my sympathies.' 'Make me sad.' 'Make me dream.' 'Make me laugh.' 'Make me shiver.' 'Make me weep.' 'Make me think.'