I was too lazy to read, and I was even too lazy to imagine scenarios drawn up by the pictures. They just suggested a flavor to me. I swallowed them whole, like hosts. It was a form of worship.

The spirit of my films... I always want them to be kind of contrarian. Meticulous on the one hand, but unbelievably sloppy and careless on the other. I guess that's what you get anyway, if you're not planning very much.

I am no longer haunted by my dead father. I am no longer haunted by childhood home. There's so many things I've cured myself of without realising and now when I'm embark on a project I know I'm going to cure myself of it.

I define melodrama as truth uninhibited. It's the kind of truth we dream about. Rather than melodrama being exaggerated, it's actually uninhibited. And it's a big difference - people look down on exaggerations, but I think they should look up to the un-inhibitions.

But in the act of attempting to imitate I discovered that I had a voice of my own. Whether I liked it or not was another matter. I found that I was my best or that I pleased myself most or came closest to my goals when I was tapped into something autobiographical.

I like going out to popcorn-munchers.

I probably live in the best province for independent filmmakers. Manitoba has a sort of thieving-magpie approach, trying to lift productions from other provinces as well as from other countries. It makes it very hard for me to leave.