I tend to project my father figure onto any director that I'm working with, or mother, if I'm working with a female, or it can be confused.

I feel I do my best work when it's all there on the page, and I feel that the character is very vivid as I read the script and I'm not having to create stuff and trying to cobble together something. If I have to do that, then I don't entirely trust what I'm doing.

It's funny, though, with films, because you can incorporate a variety of elements, and sometimes that can work for you and sometimes I think it can work against you.

You meet these people who are confident all the time. They annoy me. And I wonder if it's because I'm envious or if it's because they're shallow.

If it's a great role or a great film, then you're happy to be a part of it.

The first thing I need to get sorted out before I can then move forward, before I can feel any confidence whatsoever, is the voice.

A movie that gets a PG-13 rating can show someone running down a street killing 27 people. And there are no repercussions.