I suffer from overheating quite easily.

You can have a great time on a film and the chemistry can seem great but then you look at the finished film and it just doesn't quite gel, something doesn't quite work.

I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy,' because I think we all have potential to do good things and all have the potential to do bad things.

To work in America or other places is more about curiosity, because I'm dealing with cultures and sensibilities that I don't really know. So I'm having to sort of investigate them, which I'm fascinated in, but it comes from a place of curiosity rather than a real need to get something out of my system.

I tend to project my father figure onto any director that I'm working with, or mother, if I'm working with a female, or it can be confused.

There's something about the American sensibility that kind of hails people in the public eye. You have a star system. You have that kind of thing where you say, "Good on you for doing that."

A lot of action characters are a little bit too serious as well. They take themselves a bit too seriously, which I don't find particularly interesting, whereas I like the fact that there was at least some humor in this because really it's a piece of entertainment.