There's many more films being made in America than there are in Australia. You make four hundred and fifty films a year, we make twenty-five.

A movie that gets a PG-13 rating can show someone running down a street killing 27 people. And there are no repercussions.

You can have a great time on a film and the chemistry can seem great but then you look at the finished film and it just doesn't quite gel, something doesn't quite work.

The majority of people who join law enforcement are doing it for good, moral reasons, but then there are the few who get through, where you go, 'Whoa, hold on a second. What's this guy doing here?'

The thing I've come to learn is that what's great about small independent films is the intimacy and the communication that occurs when you're making them.

I'm constantly trying to be as original as I can.

You never really know what the director has got in his mind as far as the scene visually and art direction wise, etc. Even if you do, sometimes there's a side of things that don't necessarily gel the way people intend. So there a bit of a mystical entity, film.