The thrill of coming home has never changed.

Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.

I'll generally write out every scene that's in the film on a couple of pieces of paper, just with a little one-line. And then I can scan it a bit and go, 'This first third of the film, generally, I'm kind of calm.' Then I might do something on one piece of paper that just relates to the energy of the character.

I think when people are repressing things, or burying things, that can manifest in all sorts of ways.

Australia's not so bad with me, really, people are pretty cool with me at home, but in England it feels a little bit scary.

You would think that with ten super-famous people in one movie, it's gonna be ten times more popular or viewed, but on some level, they can cancel each other out.

If it's a great role or a great film, then you're happy to be a part of it.