Other than the fact that I like a country house, I can't think of anything I'd want to spend my money on.

My principal job is to make interesting and entertaining films, and I'm not proud of which format or which particular technique I use. I just wanted the film to look good.

I think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process.

As I get more and more involved in the child's world with Rocco his son I'm getting interested in making a film for children.

Its about not letting the internal enemy, the real enemy, have his way because the more he does the stronger he becomes. The films about the devastating results that can manifest from the internal enemy being unbridled and allowed to unleash chaos.

Previously, on Lock, Stock, I went to bed at two in the morning and woke up at five in the morning, and on this one I was known to nod off on the set occasionally.

Jake Green isn't just Jake Green. Jake represents all of us. The colour green is the central column of the spectrum and the name Jake has all sorts of numerical values. All things come back to him within the film's world of cons and games.