My mom was always making me clothes. We'd go to the fabric store, pick out patterns, and it was a creative process. I heard that word a lot growing up: creative.

Our memories, they can be inviting. But some are altogether, mighty frightening.

I'm neurotic about trying not to be neurotic!

When you discover your sexuality - like when you're little, you don't notice it. Then suddenly you're walking down the street and you're whistled at. And you're like, Oh, I have this power I didn't know about. And you also discover you're kind of prey. And you're like, Wait, that's confusing.

People will tell me, "You're such a punk rebel," this or that, but I was not that growing up. I was actually a super-sheltered, conservative girl. Now, there was probably a bit of me that was like, "Why do I have to be like that?"

I think after doing Push and Shove and having it not be successful, I lost a lot of confidence. Songwriting, for me, has always been traumatic, and I've always made all these excuses. But I've realized that you have to just accept that it was a gift: "I don't know where it came from, I don't know how I did it, but I did write all those songs, and I gotta do it again."

Kingston is so chill. He goes with me everywhere. He's been to every studio in L.A., New York, London. He lives up to his name - total Rasta boy. He gives me a real balance. You can go 100 miles an hour, but you still have to stop to hang out with him.