When you don't work together you can't emerge as a force. It becomes what some call a "lonely struggle" and individual self-destruction.

Most young people now are very vulnerable as to what the American film aficionados are going to say. They care too much about a system that has no room for them. It's really a serious issue for me, because to me it's, how do I survive beyond a film that was disgraced or praised?

There are filmmakers like me in different parts of the world that have a story they want to tell, and it's a story that comes out of a certain historical reality within their own life. Then you get committed all the way and however long it takes, stay very committed.

I think not many young people are willing to pay the price of telling their own story.

I'm organizing documentary films, and whenever scriptwriting gets too tedious I go to my editing room and start to edit the documentary, even if I don't have the full funding yet. So you have to keep yourself busy, you have to like the subject matter.

For me, I think [art] exists in a cave. I am in a cave. I have my own editing place, but I'm not powerful enough to amass the resources to keep doing movies every two or three years.

For any movement to emerge, it has to be innovatively independent from the mainstream cinema, and I don't see that much.