When you don't work together you can't emerge as a force. It becomes what some call a "lonely struggle" and individual self-destruction.

Success is really when you create a space, a piece of art, and people come in and say, that's my story - when they claim it.

I'm organizing documentary films, and whenever scriptwriting gets too tedious I go to my editing room and start to edit the documentary, even if I don't have the full funding yet. So you have to keep yourself busy, you have to like the subject matter.

There has to be consistent emergence of two or three films - narratively, stylistically, consistently demonstrating you are here to go on. And on that kind of basis, I'm not seeing much. I'm just waiting to see.

It's not always expected of filmmakers to do stereotyped stories. But one has to be willing to travel to festivals and hook up with people, engage people intellectually about your passion and the kinds of films that interest you, and sooner or later you find people that have the same affinity that you have.

You have to keep yourself busy, you have to like the subject matter. If you do it for other causes, other reasons, it doesn't hold you for a long time. There's no other way but struggling, forging ahead to do the film.

When my film went to the Venice Film Festival and won the best script writing, the jury [prize], it didn't go to my head. I know how many black filmmakers that I am operating with whose name will never be mentioned. But I'm part of them in that silent existence.