There are filmmakers like me in different parts of the world that have a story they want to tell, and it's a story that comes out of a certain historical reality within their own life. Then you get committed all the way and however long it takes, stay very committed.

Tarantino is a spoiled little white kid. He can do any movie he wants and nobody can do anything about it.

There has to be consistent emergence of two or three films - narratively, stylistically, consistently demonstrating you are here to go on. And on that kind of basis, I'm not seeing much. I'm just waiting to see.

You have to be willing to put everything you've got towards the project. That to me is very important. And it may not be part of the fad, being the clichéd kind of film that's going to be successful.

For me, I think [art] exists in a cave. I am in a cave. I have my own editing place, but I'm not powerful enough to amass the resources to keep doing movies every two or three years.

To me, entertainment is really the new plantation. It's the new sugar, the new cotton, that black people work for somebody else to be richer than them.

Success is really when you create a space, a piece of art, and people come in and say, that's my story - when they claim it.