To see a hillside white with dogwood bloom is to know a particular ecstasy of beauty, but to walk the gray Winter woods and find the buds which will resurrect that beauty in another May is to partake of continuity.

For the Fall of the year is more than three months bounded by an equinox and a solstice. It is a summing up without the finality of year's end.

Listen to it, and you are hearing the mighty currents of the air rushing down the latitudes of the earth, currents from the Mackenzie and the Athabasca and the Saskatchewan, and from the prairies and the white Tundra. It is a homeless wind, forever on the move.

The longer I live and the more I read, the more certain I become that the real poems about spring aren't written on paper. They are written in the back pasture and the near meadow, and they are issued in a new revised edition every April.

There are no limits to either time or distance, except as man himself may make them. I have but to touch the wind to know these things.

Nothing in nature is as simple as it sometimes seems when reduced to words.

In a painful time of my life I went often to a wooded hillside where May apples grew by the hundreds, and I thought the sourness of their fruit had a symbolism for me. Instead, I was to find both love and happiness soon thereafter. So to me [the May apple] is the mandrake, the love symbol, of the old dealers in plant restoratives.