Here and there one sees the blush of wild rose haws or the warmth of orange fruit on the bittersweet, and back in the woods is the occasional twinkle of partridgeberries. But they are the gem stones, the rare decorations which make the grays, the browns and the greens seem even more quiet, more completely at rest.

There are no limits to either time or distance, except as man himself may make them. I have but to touch the wind to know these things.

There are no idealists in the plant world and no compassion. The rose and the morning glory know no mercy. Bindweed, the morning glory, will quickly choke its competitors to death, and the fencerow rose will just as quietly crowd out any other plant that tried to share its roothold. Idealism and mercy are human terms and human concepts.

To know after absence the familiar street and road and village and house is to know again the satisfaction of home.

Autumn is the eternal corrective. It is ripeness and color and a time of maturity; but it is also breadth, and depth, and distance. What man can stand with autumn on a hilltop and fail to see the span of his world and the meaning of the rolling hills that reach to the far horizon?

The longer I live and the more I read, the more certain I become that the real poems about spring aren't written on paper. They are written in the back pasture and the near meadow, and they are issued in a new revised edition every April.

He who walks may see and understand. You can study all America from one hilltop, if your eyes are open and your mind is willing to reach. But first you must walk to that hill.