Where names of people or places would mean little to a contemporary reader, I figured "translation errors" could create interesting new meanings.

Most of my influences from outside the commerical strange fiction genre came in with university, discovering James Joyce and Wallace Stevens, Blake and Yeats, Pinter and Borges. And meanwhile within those genres I was discovering Gibson and Shepard, Jeter and Powers, Lovecraft and Peake.

Homophobia's just one form of abjection, and wherever you have a marker of deviance - skin colour, gender, gender identity, disability - you get the same mechanisms of prejudice.

Where names of people or places would mean little to a contemporary reader, I figured "translation errors" could create interesting new meanings.

Words command us. Names define us. Definitions bind us. Words are where we keep our sacred secrets.

Movies, novels, TV shows - these are the water fountains of today. We thirst for stories which speak to us by representing us, but we go to the water fountains in the centre of town looking for that, and we're turned away, sent to the ghetto.

A 3K word story might well be done in some caffeine-and-nicotine-fuelled 36 hour session, and at the end of it, there'll be a few passes of editing required, but I basically have a polished draft.