There's a need to keep the history of an artform going, parallel with the new work that's being done.

I do know one thing: I wish people were doing more dangerous musicals, more courageous musicals and not just falling into the trap of trying to figure out what the public wants, because you find out that the public very often wants what's good.

There's a need to keep the history of an artform going, parallel with the new work that's being done.