The reinvention of American culture as purely the self catapulted Las Vegas to prominence. The city took sin and made it choice -- a sometimes ambiguous choice, but choice nonetheless. Combined with a visionary approach to experience that melded Hollywood and Americans' taste for comfort and self-deception, Las Vegas grew into the last American frontier city, as foreign at times as Prague but as quintessential as Peoria. In Las Vegas, you can choose your fantasy; in the rest of America, you don't always get to pick.

From its founding, [Nevada] has always struggled to belong. It has had a series of masters--the mining industry, the railroads, the federal government, and now gaming and tourism--that have driven the state's economy and compelled its direction.

The outsiders have become kings and queens of the castle. It is a whole lot easier to sit outside the tent and throw firecrackers inside; it is much, much harder to sit inside the tent and govern not only your enemies, but your close friends as well.

Las Vegas is the therapeutic ethos of our time run amok, our socio-psychological promise to ourselves to be eternally young writ large on the landscape of aging self-indulgence.

Capitalism is a warrior culture, a hierarchical mode, and Las Vegas is its epitome.

No one thinks Las Vegas is real; it is illusion, but visitors willingly suspend disbelief and pretend.

The reinvention of American culture as purely the self catapulted Las Vegas to prominence. The city took sin and made it choice -- a sometimes ambiguous choice, but choice nonetheless. Combined with a visionary approach to experience that melded Hollywood and Americans' taste for comfort and self-deception, Las Vegas grew into the last American frontier city, as foreign at times as Prague but as quintessential as Peoria. In Las Vegas, you can choose your fantasy; in the rest of America, you don't always get to pick.