Being an artist and having a following can be a very scary thing because idolization makes you question your inner role in the universe. A lot of people get caught up in this idea of, "Wow! This world does revolve around me," and it most certainly does not. It's the exact opposite; these people don't exist for you, you exist for them.

It can be difficult going through a period of time where you feel depressed because it can become your identifier. In the sense that you wake up, you're depressed; you talk to your friends, you're complaining that you're depressed; you talk to your parents, you're unmotivated. You know what you could do to try to overcome it - although obviously there's no cure - but you start to feel like, 'what will happen to me if I feel better? Who am I when I'm happy. I'm so used to feeling like this.'

If I start writing a song and you try to have a conversation with me, you're a bad person.

The thing about being an artist is that you evolve so quickly, you grow, you learn, you change, you find yourself hating work that you made months prior. That's the hard part about making an album, but every couple days I fall asleep listening to my album front to back and I lay there feeling so proud of what I did.

I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural. It is, but there are a lot of times where people treat it like a sport - there are tricks you can pull, different combinations that make something better. I don't really think I approach it that way, but I definitely have a love for the science that is pop song writing.

Pop music really is a love and a joy and a science [of songwriting].

If you're not inspired and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived and I don't like to write music that's contrived.