Pop music really is a love and a joy and a science [of songwriting].

I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural. It is, but there are a lot of times where people treat it like a sport - there are tricks you can pull, different combinations that make something better. I don't really think I approach it that way, but I definitely have a love for the science that is pop song writing.

I've met so many amazing fans in the couple of weeks since the release of my second album, and everyone keeps telling me they feel so connected to the record. I think as an artist, all you really want out of your album is to feel like you're not alone.Because you wrote it for a reason. You wrote it because you're feeling some kind of emotion that you had to get out in the world. And if fans say, "that makes me feel like I'm not alone", then you get to say back to them, "Well, you telling me that makes me feel like I'm not alone either".

If you're not inspired and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived and I don't like to write music that's contrived.

Anyone who has been with me from the beginning has worked from the trenches with me and they've worked really hard. People that I have brought in where I am now, they haven't worked the way that we have, they haven't lost the sleep, and you know, the blood, sweat, and tears.

Being an artist and having a following can be a very scary thing because idolization makes you question your inner role in the universe. A lot of people get caught up in this idea of, "Wow! This world does revolve around me," and it most certainly does not. It's the exact opposite; these people don't exist for you, you exist for them.

It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. I like when it's really organic, so I try to knock it out in one shot.