I used to put the vocals on top and piece it together. Now I start with the vocals and the string parts I write; the drums are kind of an afterthought. And who knows, maybe that will get boring, but right now that's the most interesting way for me.

When I got to L.A. I woke up and I was losing my voice because of the dry air. It was like, "Oh my god, this is going to be Joe's Pub all over again."

You look back and see pictures of yourself, or hear an old song, and you know where that came from or why you were working on that - but you don't want to do that again. You don't necessarily hate it, but you're a very different person now, so, in that way you do.

When you're in your twenties you always think that 30 is a long ways off, and maybe you'll have things in line when you hit that number - maybe own a house or be married.

Traveling makes a vacation lose all appeal. You would never want to take the family to a European city. You travel a lot, but it's a job.

I'm really not into the idea of just faking songs with a synthesizer. That just isn't the music I'm making at all.

I really don't feel as connected to Heaven as I do to the ones where I was there from start to finish. And on this record I was there for every moment.