Literally, I see my writing as transcription - a transcription of what I see, hear, think, live.

You never know who's going to kill you until you meet them.

I've done literally 100, 150 different characters. Some of them have only appeared for a line or three. But the point is, every sound I can make has been harvested.

I tend to not watch things that are current. And then if everybody swears it's amazing then I'll like watch the whole series in a weekend.

Once someone is in your family orbit, there's a mutual responsibility, and whatever happens to them happens to you.

I joke that my niche in Hollywood has been naked foreigners.

When you become deeply involved with someone, their problems become yours, and vice versa. It's family.