When you do well in a movie that's seen as really great, you're revitalized for six weeks.

It's not really difficult to go from one voice into the next.

Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.

As an actress, you're living something through the duration of the play and its geography. I've always seen writing the same way. It's like somehow I'm moving through the terrain of the book as a performer.

I guess for me the greatest injustice is to see people robbed of that interiority and process of association.

You know those award shows. The cliche is that it's an honor just to be nominated, but that happens to be true. Whoever wins it in the end, I don't know, sometimes it feels arbitrary. Sometimes it feels like it's deserving.

I've done literally 100, 150 different characters.