I have a love of gear and pedals, from old pedals to new ones with new sounds. If I get depressed, I start looking for a certain type of pedal, learn the history, who and what it was made for, that kinda thing.

It's a lot harder to keep your cool than it is to lose it. That's on any work ethic. Even if you're a big producer on a movie set, or whatever, it's a lot harder to be a pro than be a baby on your crew. That's one work ethic to keep in mind, as one bad apple could give five people a bad day, when that one person could've stepped up their own efforts a little more and not bring anyone else down.

Balance is always tough with the kind of shows and my work ethic and all of that, but that definitely helps me do what I do in the big picture.

The rush of creating sounds and mixing sounds is always an interesting challenge, especially for someone like me, who doesn't know about sound.

The name alone usually attracts about 50 or so curiosity seekers to the show. We know if we're playing the Policeman's Ball or something to have the proper respect, but we like to get rowdy.

The best pay off in the world is when someone comes up to you and says, 'your music has helped me with some pretty rough times through life. I don't know if I would still be here if it was for your music whether it be country music or heavy metal has done for me.' That's ultimately the biggest payoff for me. I hear it from young kids to military guys and military women to older folks.

In a way, being raised on the farm and doing chores and stuff it's a natural thing for me to want to work outside. It's almost kind of like a rehabilitation for me with doing that.