There exists in our society widespread fear of judging…[B]ehind the unwillingness to judge lurks the suspicion that no one is a free agent, and hence doubt that anyone is responsible or could be expected to answer for what he has done…Who has ever maintained that by judging a wrong I presuppose that I myself would be incapable of committing it?

Under conditions of tyranny it is far easier to act than to think.

... we have almost succeeded in leveling all human activities to the common denominator of securing the necessities of life and providing for their bundance. Whatever we do, we are supposed to do for the sake of "making a living;" such is the verdict of society, and the number of people, especially in the professions who might challenge it, has decreased rapidly. The only exception society is willing to grant is to the artist, who, strictly speaking, is the only "worker" left in a laboring society.

That Hegelian dialectics should provide a wonderful instrument for always being right, because they permit the interpretations of all defeats as the beginning of victory, is obvious. One of the most beautiful examples of this kind of sophistry occurred after 1933 when the German Communists for nearly two years refused to recognize that Hitler's victory had been a defeat for the German Communist Party.

Although tyranny...may successfully rule over foreign peoples, it can stay in power only if it destroys first of all the national institutions of its own people.

Rage is by no means an automatic reaction to misery and suffering as such; no one reacts with rage to an incurable disease or to an earthquake or, for that matter, to social conditions that seem to be unchangeable. Only where there is reason to suspect that conditions could be changed and are not does rage arise.

Poetry, whose material is language, is perhaps the most human and least worldly of the arts, the one in which the end product remains closest to the thought that inspired it.