Art-making is just another part of the consciousness industry.

I have a particular interest in corporations that give themselves a cultural aura and are in other areas suspect. Philip Morris presents itself in New York as the lover of culture while it turns out that if you look behind the scenes, it is also a prime funder of Jesse Helms, someone who is very hostile to the arts.

When works of art are presented like rare butterflies on the walls, they're decontextualized. We admire their beauty, and I have nothing against that, per se. But there is more to art than that.

A liberal public is interesting to have as an audience. It is for that very reason that corporations make such an effort to ally themselves with cultural institutions.

Museums are not normally presenting the works on the walls as provocations to work. It's more like going to a Jacuzzi.

Trivializing the Holocaust is the last thing I want to do.

Artists and art institutions have to learn how to play hardball. A democratic society needs a democratic art and we have a right to demand it.