I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.

Sometimes it's a struggle to make everything work. I usually work on music from nine in the morning until three in the afternoon. Then there are the family activities. Then I work again at night - from nine to as late as two.

I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.

When I'm working on something and I get to the point where I feel it getting interesting, that's my reward.

It's nice if you're making a regular pop or rock album and you get ten little songs. But I really try to make the album with one big story instead of ten small stories.

The importance of selecting music and sequencing songs - making one song merge into another song. In retrospect, those are the most important lessons I got from DJs.