But the saints are never the kind of killjoy spinster aunts who go in for faultfinding and lack all sense of humor. (Nor should the Karl Barth who so loved and understood Mozart be regarded as such.)For humor is a mysterious but unmistakable charism inseparable from Catholic faith, and neither the "progressives" nor the "integralists" seem to possess it - the latter even less than the former.

Faith means the fundamental response to the love that has offered itself up for me. It thus becomes clear that faith is ordered primarily to the inconceivability of God's love, which surpasses us and anticipates us. Love alone is credible; nothing else can be believed, and nothing else ought to be believed. This is the achievement, the 'work' of faith: to recognize this absolute prius, which nothing else can surpass; to believe that there is such a thing as love, absolute love, and that there is nothing higher or greater than it.

There is a moment when the interior light of the "eyes of faith" becomes one with the exterior light that shines from Christ, and this occurs because man's thirst, as he strives and seeks after God, is quenched as he finds repose in the revealed form of the Son.

Only in Christ are all things in communion. He is the point of convergence of all hearts and beings and therefore the bridge and the shortest way from each to each.

Lovers are the ones who know most about God; the theologian must listen to them.

But the saints are never the kind of killjoy spinster aunts who go in for faultfinding and lack all sense of humor. (Nor should the Karl Barth who so loved and understood Mozart be regarded as such.)For humor is a mysterious but unmistakable charism inseparable from Catholic faith, and neither the "progressives" nor the "integralists" seem to possess it - the latter even less than the former.

Wonder — the enthusiastic ardor for the sublimity of being, for its worthiness to be an object of knowledge — promises to become the point of departure for genuine insight only where it has reached the stage in which the subject, overwhelmed by the object, has, as it were, fused into a single point or into nothing.