Without a doubt, at the center of the New Testament there stands the Cross, which receives its interpretation from the Resurrection.

Love alone is credible.

But the saints are never the kind of killjoy spinster aunts who go in for faultfinding and lack all sense of humor. (Nor should the Karl Barth who so loved and understood Mozart be regarded as such.)For humor is a mysterious but unmistakable charism inseparable from Catholic faith, and neither the "progressives" nor the "integralists" seem to possess it - the latter even less than the former.

We no longer dare to believe in beauty and we make of it a mere appearance in order the more easily to dispose of it. Our situation today shows that beauty demands for itself at least as much courage and decision as do truth and goodness, and she will not allow herself to be separated and banned from her two sisters without taking them along with herself in an act of mysterious vengeance. We can be sure that whoever sneers at her name as if she were the ornament of a bourgeois past -- whether he admits it or not -- can no longer pray and soon will no longer be able to love.

St. Paul would say to the philosophers that God created man so that he would seek the Divine, try to attain the Divine. That is why all pre-Christian philosophy is theological at its summit.

Being disguised under the disfigurement of an ugly crucifixion and death, the Christ upon the cross is paradoxically the clearest revelation of who God is.

Beauty is the disinterested one, without which the ancient world refused to understand itself, a word which both imperceptibly and yet unmistakably has bid farewell to our new world, a world of interests, leaving it to its own avarice and sadness.